Francisco Colasanto is on Facebook. Join Facebook to connect with Francisco Colasanto and others you may know. Facebook gives people the power to share. Giga-Hertz Award & Walter Fink Prize. Award Ceremony. Projects. Red plaque with “Giga-Hertz-Award” in white letters · Giga-Hertz Award. Francisco Colasanto. Buenos Aires (Argentina), Composer. Francisco Colasanto. Complete List of WorksComplete List of Albums.

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The first thing I did was to migrate all my orchestras from CSound to Max. An Interview with Francisco Colasanto. I studied Csound a lot, and when I found Max it was like a revelation.

An Interview with Francisco Colasanto

Colasabto following all the projects proposed and when you finish the book, you should be ready to create complex and useful patches for the development of an interactive project. I’ve already begun to write it.

I love exploring the interaction between acoustic instruments and electronics. To do this, each new object comes with a sample patch using only the studied object and the objects that had been reviewed at the moment, so the student is able to confirm several times how these objects work in different situations. If this book were the start of a series, how would you follow it up?

We’ve linked to you on BlogInterviewer. What can someone expect to learn from reading this book? I realized that I could create visual program routines using interconnected boxes. Sign in to reply. Is there anyone using Max in really wonderful ways or people who deserve more attention? Of course I used the tutorials in English.


There are also many people doing things in Spain, of course. That’s why Max is always present in our activities. How were you introduced to Max? I started working with Max in You can learn how to write in Max as you learn to speak another language. Nov 27 4: But this kind of phrases teaches us the structure of a language and how to build it. Sep 27 8: Are you planning to write other books on Max?

However, there is also not francisck literature into English. I’ve dictated several Max courses in Argentina, and all of them were always very crowded. Try Max free for 30 days.

There was no Max literature into Fdancisco, and in fact I think my book is actually the first Spanish book on this topic. I also wanted to provide some literature on the subject that could be used by Max teachers in Latin America.

We’ve seen some really phenomenal technology-based work and New Media institutions popping up in Latin America in recent years, but North Americans are largely unaware of these developments. Francixco are a lot of enthusiastic people in Argentina working in many of the universities in Buenos Aires, Cordoba, Santa Fe, and several others.

Could you put a link back to us?

Francisco Colasanto | ZKM

As far as I know, there is no any other version in Spanish. Buy Max 8 Now. Published September 28, In this interview, we get a chance to catch up with Francisco and learn more about his in-depth book as well as his work at CMMAS in Mexico and elsewhere.

In Patagonia, in fact, a multimedia course was founded at Rio Negro University, and they want to use my book as an important part of their literature. I think the same happens when you learn Max. In my opinion, there’s a strong demand in Latin America. How would you describe the teaching methodology used here? That’s why I think is critical to provide a solid base of the message-based patching before delving into signal-processing.


At that time I was working in a small electroacoustic colaswnto laboratory in Buenos Aires.

Francisco Colasanto

The methodology I used was to build knowledge as a pyramid, reviewing past concepts as new ones are introduced, so knowledge is enlarged and solidified.

Manual authorization, support cases, and manual order processing will be delayed. Do you see a lot of Max usage in Spanish-speaking countries?

I can remember myself spending many hours a day studying Max, and I did so for 5 years of my life. An Interview with Francisco Colasanto — Cycling Cycling ’74 will be closed on Dec 25th, 26th, and Jan 1st. Learn about our user conference Expo ’74 Coming in April Yours is the first Spanish language Max book that I’ve seen. You usually don’t learn German by reading Goethe or Italian reading Dante; instead, you start with simple phrases, sometimes a bit dumb, and usually without a specific daily use.

Did you feel in writing this that there was a strong demand for such a text? Did you learn from the English tutorials that ship with Max or was there something in Spanish that you were able to access?